Inside the Studio with Riley Fitzgerald: Everyb0dy’s G0t a B0mb

What is your role and involvement in your work?

I’m the director and choreographer of Everyb0dy’s G0t a B0mb, and I also perform in the work alongside a cast of ten dancers. Being part of the physical process allows me to stay immersed in creation, both in and out of the studio. After many years as a company member, I wanted to take ownership of my creative vision and build a body of work that reflects my experiences and values. This project marked the beginning of that next chapter.

Can you tell us more about Everyb0dy’s G0t a B0mb?

It started in 2023 as my first original choreographic piece for Sydney Dance Company’s New Breed season, supported by The Balnaves Foundation. Since then, it has grown into a full-length, 40-minute work performed by ten dancers. This year, we toured it internationally to Mexico City, where it featured in the Festival Internacional de Danza Contemporánea.

What was the inspiration behind Everyb0dy’s G0t a B0mb?

The inspiration originally came from the energy of Woodstock ’99. The chaos, the euphoria, the way a crowd can move as one. For the 2025 version, it became more personal, reflecting the turbulence of the world today: political unrest, wars and social struggles. The work acknowledges that while the forms may change, the world continues to face recurring challenges and dance can create a dialogue for both catharsis and confrontation.

How do you approach the rehearsal process?

My rehearsal process is deeply hands-on. I work from emotion as the initial catalyst, then channel that into form. I set parameters that allow for the unexpected moments where something raw and unfiltered emerges. It’s in these fragile, unplanned moments that I find the gems I then shape into choreography.

I also love creating movement material myself. Crafting my own vocabulary allows me to embed my identity into the work and establish a distinct movement language. At this stage in my career, I remain committed to performing in my own pieces. While it’s demanding to direct and perform simultaneously, it keeps me grounded in the physical heart of the work. A balance I intend to maintain for as long as I can.

Why was having a Harlequin floor important for rehearsals?

Having Harlequin flooring in the studio was essential. A safe, consistent surface gives both me and the dancers the confidence to push our bodies to the limit without hesitation. It supports longevity and artistry, qualities that are vital when creating a work of this scale.

As a dancer, I’ve known Harlequin is the world leader in professional dance flooring for as long as I can remember. Throughout my career, whether in Australia or Europe, Harlequin has always been the benchmark for quality and safety.

Working on a Harlequin floor means I can focus fully on the creative process, knowing the foundation beneath us is reliable. I’m incredibly grateful for the support Harlequin has shown me and my team. It’s a huge part of ensuring we can create, rehearse, and perform at our best. Harlequin’s commitment to supporting the dance industry worldwide is invaluable.

What’s next for you?

I’m focused on continuing to grow Everyb0dy’s G0t a B0mb through national and international touring in 2026, while developing new works that reflect my evolving practice. I’m also passionate about supporting regional artists. I grew up in Victoria and know the challenges young dancers face there. One of my goals is to create pathways that inspire the next generation of talent.

How can people follow your work?

You can follow my journey on Instagram @rileyfitzgeraldproductions or via my website www.rileyproductions.com.au.

Everyb0dy’s G0t a B0mb credits

Choreographer: Riley Fitzgerald 

Cast: Matilda Backus, Jack Tuckerman, Remy Rochester, Siobhan Lynch, Hoyori Maruo, Hugo Poulet, Angus Onley, Franky Drousioti, Sam Furney, Riley Fitzgerald

Rehearsal Images: MACAMI

Stage Images: Pippa Samaya